This project was a type and image book, meant for print at page size 10x8”. All of the text is derived from All About Love, a series of short essays by revolutionary author bell hooks, who wrote on race, feminism, and class.

An infographic poster detailing typographic terms from cap height to dingbat, measuring 24x36”.

An article I designed for the Spring 2022 edition of The Avenue, the premier fashion magazine at Northeastern University. The Avenue has its own design guide, but we designers were free to design within the guidelines set.

An article I designed for the Spring 2022 edition of the Avenue, Northeastern’s premier fashion and lifestyle magazine. This article was entitled, “A Critique on the Term White Passing.” I also painted all art included in the design.

A flyer meant to be handed out at Fall Fest, Northeastern’s annual campus club fair

A typographic exploration into the nuances of Filosofia, a typeface designed by Zuzana Licko. This exploration takes the form of a children’s book, the entirety of which was written and designed by me!

A poster advocating for more education surrounding activism, the legal system, and the intersectionality of many different social justice issues, such as racism, patriarchy, and the climate crisis.

My ABC Book is an exploration into the Caribbean culture through one of the most unifying factors of life in Caribbean countries: food.

This poster design is an expression of my love for my favorite color, forest green.

An Instagram post advertising The Avenue Magazine’s “Dive” edition, inspired by one of the edition’s main editorial spreads, which was shot partially underwater. My design was created completely from scratch, with all bubbles (and the distortion that they create when moving in front of type, created using ellipses (and a lot of layer masks!) on Photoshop

An Instagram post announcing open positions for the Spring 2023 semester. My goal in this design was to incorporate the physical into the digital– including visual elements both with references to objects we see in the real world, in this case, a notepad with a rough grainy texture to mimic the feel of paper, and a flat design emphasizing type.

An Instagram post announcing The Avenue’s “Lucid” edition launch party, including information about the party’s theme, dress code, and things to expect at the event. My goal in this design was to incorporate the physical into the digital– including visual elements both with references to objects we see in the real world, in this case, a notepad with a rough grainy texture to mimic the feel of heavier-weight paper, and a flat design with futurist curves to echo the theme of “Lucid.”

A series of Instagram stories informing The Avenue’s following of ideas for stories to pitch for our FW 22 edition, “LUCID.” The design was based on basic computing, including “FALL 2022” in binary on the introductory story.

A carousel post for Instagram introducing the student workers at the Climate Justice and Sustainability Hub at Northeastern, where I worked as a co-op in Fall of 2022

An Instagram post reminding The Avenue Magazine’s following of important deadlines for the print cycle

An Instagram post highlighting one of the main editorial spreads in The Avenue’s “Structure” edition, referring back to the design implemented in print.

An Instagram post highlighting one of the main editorial spreads in The Avenue’s “Structure” edition, referring back to the design implemented in print.

An Instagram post updating The Avenue magazine’s following that applications for writer, photographer, and model positions are open

I created this carousel-style post as a final project in my high school IB Language and Literature class in 2020 to discuss online trends of the moment.

I created this carousel-style Instagram post for This is Zero Hour, a youth climate justice organization, during Latinx Heritage Month in 2019. This post highlights Latinx climate organizers and uses organizational branding elements like colors and typefaces.

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

Fiizzy is a company I conceptualized that would produce fizzing dietary supplements that can be added to beverages, hot or cold. These dietary supplements address three common nutrient deficiencies in the United States: iron, iodine, and vitamin D.

The goal of ‘The Space Between Time’ is to bring users from a headspace where time doesn’t matter to reality, where time does matter, in a way that doesn’t feel too jarring. ‘The Space Between Time’ is a watch face that acts as a non-threatening mode of transportation between that passive and active time.

I was tasked with redesigning the now-defunct Daily Wellness Check, a website where Northeastern Students could report their COVID-19 symptoms (if they had any) so our Wellness team could make sure our campus stayed as safe as possible.

This was a redesign of Pinterest, which I created with a partner in my Programming Basics class. I coded this project completely by hand using JavaScript, CSS, and HTML. You can visit the website here.

I produced this podcast episode published on The Scope Boston’s podcast.

Even northerners know how to get down like the folks in Louisiana! On the Saturday before Mardi Gras, Cambridge, Massachusetts Regattabar hosted a jazz-centered jubilee in the spirit land of jambalaya.

Elana Lane transports us there, introducing us to Josiah Reibstein’s band and Robbie Pate’s vocals.